Selection of the week

A performance of Mozart’s Table Music Duet for two violins.  I think this piece best exemplifies the singular brilliance of Mozart.  This piece consists of only a single line of music (see below for those who can read music).  One person reads it right side up and the other reads it upside down.  Thus the beginning of the piece for one person is the end of the piece for the other person read upside down.  In music, the position of the notes is relative to the staff so a note read upside down is not the same read right side up, except for the middle B in treble clef.  For example, the D  read right side up (4th line from the bottom) is equivalent to the G read upside down (2nd line form bottom) in the key of G major.

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The problem with sci fi movies

I, like many people, enjoy science fiction films. The biggest problem I find in these fictional universes is not that sounds can propagate through space, people can travel at the speed of light with no relativistic effects then decelerate to a stop in a few seconds and not even be knocked to the floor, be able to generate artificial gravity everywhere, have power sources that rarely need refueling, and so forth. I accept that these are convenient plot devices that keep the story moving forward. Although I do have to say that successful films like 2001: A Space Odyssey and more recently Interstellar and The Martian show that trying to be faithful to science can often provide an even better plot device. I am still impressed by the special effects in 2001 and the amazing attention to detail of director Stanley Kubrick, e.g. near the beginning of the movie when they are on the rotating space station you can see the subtle curvature of the floor inside the rim. I hope the success of these movies lead to more realistic science fiction and even realistic action movies where the violence is realistically portrayed – people can’t be hit by a brick and then get up.

No, the thing that most irks me about science fiction movies is that the film makers either refuse or are too lazy to make their universes self-consistent. This list is in no particular order and is by no means exhaustive.

  1. Why do storm troopers in Star Wars movies wear plastic suits if they don’t protect them from anything?
  2. In an age with extremely powerful computers and communication devices, why should various control systems only be accessed at specific locations in a building or space craft. Do you really need to go to the engine room to fix the engine? Haven’t they progressed beyond a WWII aircraft carrier?
  3. Why are weapons in the future so bad? Why do people ever miss? There is self-aiming, self-guided bullet technology now and in a future universe with flying cars no one has thought of making this? This also goes for space crafts still engaging in dog fights like the Battle of Britain in 1940.
  4. In the Avenger movies, Iron Man Tony Stark invents a fusion reactor that can fit in his chest and power a flying suit for at least the duration of the movie without ever refueling. Shouldn’t this have transformed the world? This could solve global warming if not end global poverty. Even if he is not making the invention public shouldn’t the rest of the world be working on this?
  5. In the Hunger Games series they have technology to make mutant animals and plants so why is there hunger? They have a ban on GMO’s for food? Why do they still need coal mining or at least need people to do it?
  6. My very first blog post was about the thermodynamic impossibility of the premise of the Matrix movies. Stupid premises seem to be a major problem with the Warchowski sibbling’s films that I have seen. They have this pretense for being intellectual and try to infuse their films with a social consciousness but unfortunately fail. The theme in both the Matrix and the more recent film Jupiter Ascending (JA) is that there is an evil future society that treats humans as commodities – as energy in the Matrix and as a source for an immortal elixir in JA. That could be fine if in JA there was something mystical about humans that could not be reproduced elsewhere but what the Warchowskis do instead is try to infuse some science in it so it is not magic. There is a proto-human race that caused the dinosaurs on earth to go extinct so that humans could arise and then waited 65 million years before they could harvest them for the elixir. That was the easiest way to create a farm for humans? A second premise is that the heroine of the movie is an exact genetic replica of a former Queen who owns earth and who bequeathed her wealth to anyone who is a genetic replica. Again, the Warchowskis forgot to do their math. The probability of an exact genetic replica coming from chance, which is what they insisted on, would be at most 1 in 2^{10,000,000} (if differences are only biallelic common variants), which is unimaginably small. The proto-humans are also billions of years old but have not evolved in any way over that time even though squirrel-like creatures turned into humans in 65 million years on earth.
  7. Even in the movie Interstellar, there is a future race of humans that have the technology to tame a black hole and send messages to the past but they can’t send back instructions for making crops that will grow on earth?

I appreciate that some of these movies are not about science or the future but remakes of old western, adventure, or war movies. However, some are really trying to portray a possible future. If that is the case then some amount of self-consistency is necessary to make the story compelling. One very possible future that I don’t see being explored in popular movies is that unlike dystopian futures where there is a return to feudalism and people are exploited by evil overlords or capitalists, a real problem we may face is that people will become obsolete. People should make movies about what a world where machines can replace almost everything people do would look like. In fact a better premise for the Matrix is that we chose to live in a big simulacrum and a subset of us rebelled. Now that would be an interesting movie.