Selection of the week

Sorry for the long radio silence. However, I was listening to the radio yesterday and this version of the Double Violin Concerto in D minor, BWV 1043 by JS Bach came on and I sat in my car in a hot parking lot listening to it. It’s from a forty year old EMI recording with violinists Itzhak Perlman and Pinchas Zukerman with Daniel Barenboim conducting the English Chamber Orchestra. I’ve been limiting my posts to videos of live performances but sometimes classic recordings should be given their due and this is certainly a classic. Even though I posted a version with Oistrakh and Menuhin before, I just had to share this.

Selection of the week

The first movement of Beethoven’s Violin and Piano Sonata No.5, Op. 24, dubbed the Spring Sonata, played by Gidon Kremer and Martha Argerich. I was fortunate enough to attend a concert by Kremer in the 1980’s. I don’t think I really understood what great musicianship was, as opposed to virtuosity, until that concert.  For Kremer, every note is part of a bigger whole. In this video, it is not clear that Kremer and Argerich are on the same page though.

Below is the whole thing with Anne Sophie Mutter and Lambert Orkis, which has better balance.

Selection of the week

The great Russian pianist Sviatoslav Richter playing Beethoven’s last piano sonata, No. 32 in C minor, Op 111, which really pushed the boundaries of music at that time. Beethoven was completely deaf when he composed it. Richter was considered to be a musical genius; he was admired by Glenn Gould. Richter also insisted that American pianist Van Cliburn should be the winner of the first International Tchaikovsky Piano Competition in Moscow in 1958. It was a controversial decision to say the least but Richter prevailed and that moment still resonates both musically and and geopolitically. It certainly launched Cliburn’s career and one could argue that it laid a path to the end of the cold war. Music can matter.